Poem of the Week | August 25, 2011

This week we are featuring two poems by Chloe Honum: “Dress Rehearsal” and “My Great Aunt Billie, at 92.”   The poem “Dress Rehearsal” originally appeared in Poetry Magazine in November 2009, as one of a selection of poems that garnered Honum a Ruth Lilly Fellowship from the Poetry Foundation.  We had accepted the poem for publication also, but in honor of Honum’s award we agreed to delay publication.  Now we are delighted to feature both that poem and a new poem, “My Great Aunt Billie, at 92.”

Honum grew up in New Zealand.  In addition to Poetry, her poems have appeared or are forthcoming in Orion, The Paris Review, and The Southern Review, among other journals, and were included in Best New Poets 2008 and 2010. Honum has also received an Isabella Gardner Fellowship from the MacDowell Colony.

Author’s Comment:

“Dress Rehearsal” stems from my early teenage years, when I wanted to be a professional ballerina. One winter, I practiced for many hours a day. It was a lonely time but also thrilling. Through the dancing itself, I learned something about art and obsession.

While writing “My Great Aunt Billie, at 92,” I was thinking about love in an earlier time, when it was much easier for a person to fully disappear from another’s life. My hope is that the poem conveys something of my great aunt’s vivacious and resilient spirit.

Dress Rehearsal

Branches etch the film of ice

on the studio window. A crow looks in,

hopping and shrieking when I dance

in my black tutu, trimmed with silver.


The ballet master says, you are its mother.

But in a crow’s sky-knowing mind

could I be so misconstrued?

Out of the blackest


cold-wet air, the crow seems molded.

The stars will not wake up to guide it

back to the creek of shadows

where it was formed. Practice, practice.


I am smoke in darkness, climbing away

from a burning hut, in an otherwise empty field

on which the fire is slight and low,

and the rest of it is snow.




My Great Aunt Billie, at 92

New Zealand


How often did she think of him,

the American soldier

who said that he’d return

and they would marry?


Did he already have a wife?

Did he die? Did the days

feel like wave after wave

of silence? She was a chorus girl.


We were out walking.

On the ground were tiny

birds, like wet handkerchiefs.

I was the girl who came back,


she said, as the curtain lowered,

and with a little hop

she blew the woods—

the river, the birds—a kiss.