Dispatches | October 13, 2006
Naming Clothes
Last week I wore to the offices of TMR my “Hot Tin Roof” dress that I’d recently ordered from J.Peterman. The catalogue trades on my vanity as a littérateur. Its clothes are classic and well made. I very much enjoyed floating around the office in my high swaggered bodice and flouncing skirt, fanning myself with a fiction submission and not once worrying about being identified with one of Williams’ desperate anti-heroines who rely on crumbs of kindness from strangers. Though at the end of the day I did crave a mint julep.
I’ve even been tempted to order my husband J. Peterman’s Gatsby shirt. I imagine him looking dapper in the simple band collar affixed at the neck with a tasteful brass stud. The clothes horse in me loves the moment in Fitzgerald’s novel when Gatsby shows off to Daisy a wardrobe of sherbet-colored shirts hand-made in Paris. The spectacle makes it easy to forget that our nouveau riche “old sport” gets gunned down during an afternoon swim in his pool.
Like newborn babes, clothes are given names, usually stylish, upper-crust-sounding ones in hopes of promoting successful sales. It seems to work in the fashion world. Here’s my must-have outfit from Nordstrom: A “Calista” vest worn over an “Arden” blouse with a “Hayward” skirt (I don’t know if that’s Rita or Susan). I also covet the “Danielle” dress: floral printed, lace overlay at the hem, a crisscrossed sash. Obviously lesser fashions such as a gabardine vest dress don’t rate a name, only a manufacturer’s label.
It doesn’t take long to notice name snobbery at work; I haven’t found any shoes, handbags, or dresses named Karen, Jane, or Cheryl. Admittedly I haven’t seen a lot of Kris fashions either.
Does naming clothes make a difference? Does it increase our level of intimacy with them? Or are designers wanna-be novelists? And, most importantly, should I introduce my dress by name at a party?
“I like your dress.”
“Yes, this is Audra. She is made of raw silk and is cut on the bias. She comes from Dillards by way of China. I bought her thinking she was an only child, but, alas, she comes from a large family.”
SEE THE ISSUE
SUGGESTED CONTENT

Dispatches
Feb 28 2020
2020 Miller Guest Judge in the Spotlight: Alex Sujong Laughlin
2020 Miller Audio Prize Guest Judge Alex Sujong Laughlin shares her journey to becoming an audio producer, the lens through which she sees the world, and how TikTok makes her… read more

Dispatches
Oct 15 2019
Last Call for Submissions to the Jeffrey E. Smith Editors’ Prize
The LASY DAY to enter TMR‘s Editors’ Prize has arrived And with it, the last call. The 29th Annual Jeffrey E. Smith Editors’ Prize Contest closes tonight! You have the rest of… read more

Dispatches
Mar 08 2019
Interview with 2019 Miller Audio Prize Guest Judge Cher Vincent
Our guest judge this year, Cher Vincent (she/her), is an audio producer based in Chicago. She is currently Lead Audio Producer for One Illinois, a nonprofit news outlet, covering statewide news and producing… read more