Poetry | September 01, 1997
The Music of the Mares
Elizabeth Kirschner
That winter I hauled
frozen water buckets from the stalls
to my stove, then warmed myself
while listening to the aural sighs
of wind coming through
rag-jammed windows.
After each storm, I shoveled
a path from my door
to the barn, knowing that animals
grow heavier in hunger,
like the snow I lifted
and tossed.
What chilly work it was
to call out their names,
like wishes cast down a well,
until I could finally heave open
the grain bin. Then whinnies
resounded in the rafters, rich
as the notes of canyon wrens.
Spring did slowly rise
and rise again, schooling
the barn with its chartreuse dust
while buds turned brown as tobacco
or the coat of the mare
due to give birth.
On the night her foal surged forth,
her whinnies came quietly,
like curses said under the breath.
Down in the field, those animals
related by blood—mother,
sister, aunt—sawed their teeth
against the fence rails
while moving back and forth
as though in a shooting gallery.
I experienced that same sense
of hope held within hope when,
years later, my own child
dawned within his deep environs.
I was naked and while I dozed,
briefly, between contractions,
I felt dazed by the weight
of washed air, so much so
I wanted to leave myself behind
and step back into the barn
where the mares hung down
their heavy heads, their hooves
thunking against the stall boards
like stones hitting moss.
Inside, the pressure was deep—
like a boat in sea water—
but who was the vessel
and who would be carried
and over what roughness
would we go?
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